Veronica
Parlagreco

She trained at D.A.F. – Dance Arts Faculty in Rome. She took part in creations by Caroline Finn, Vladimir Varnava, Noa and Rina Wertheim, Thomas Noone, Didy Veldman, Joy Alpuerto Ritter, and Holger Seidelin. She has danced with Eigengrau Company, directed by Kira Metzler and Riccardo Berardi, and as a guest dancer at the Staatstheater Oldenburg. Alongside her work as a performer, Veronica develops a personal choreographic research. Her practice starts from the idea of a continuous and broken flow, moving between fluidity and isolation, shifting states of continuity and interruption to generate rhythm and embodied dramaturgy. Through this dynamic, movement becomes a tool to construct shifting characters and performative identities, where repetition, stillness, and transformation constantly interfere with one another. Sound is an active dramaturgical layer in her work, operating in dialogue with the body to shape perception, timing, and compositional structure. Her work engages with questions of identity, social structures, and lived experience. Among her most recent creations, the solo St(r)ati, created thanks to the initiative INNESTI '25 promoted by IterCulture, received both the Critics’ Award and the Technical Award at the Le Voci dell’Anima Festival in 2025. In the same year, Veronica was awarded the Radici Residency Prize, promoted by Farm Cultural Park (Favara), where she developed the solo Giuiuzza in collaboration with musician and director Federico Pipia, with the support of Scenario Pubblico. Giuiuzza was also selected for a residency at the Compañía Nacional de Danza in Madrid. In 2026 Giuiuzza is the winner of Danza Urbana XL '26, an initiative from Anticorpi XL. She is also developing her teaching practice Control in/and Flow (CNF), the practice investigates movement as a constant force, working through fluidity, release, tempo shifts, and intentional blocking of flow to heighten awareness and responsiveness. It integrates guided improvisation and set choreographic phrases, allowing dancers to experience the interplay between creative freedom and structured form. Veronica has led CNF in professional and educational contexts across Europe, including professional training in Berlin (Marameo / Tanzfabrik Berlin), Freiburg (DE), Share Training in Catania (IT), an open-level masterclass at Myld (Poland), and a creative residency with the students of ADT – Advanced Dance Training (Verona, IT), under the artistic direction of Greta Bragantini, where the ensemble work Mood On began to develop.